Flare Copper Lamp Pendant

The Flare is the only pendant at Hevna that ends in fire — literally. The form is shaped first: a flat sheet of copper is worked into a tall, narrow cylinder, and the top is pressed closed into a rounded arch, sealing the body into something that reads like a chapel window or the head of an old bullet. The shaping is careful and even. The bottom, however, is left completely intentional in its roughness — a torch is applied to the lower edge of the copper, burning through the metal in a slow, controlled pass around the perimeter. The heat melts and severs the copper unevenly, leaving a rim that drips and waves and pools in places — raw, gold-toned, and completely unlike anything produced by a blade or a press. No two Flare pendants have the same bottom edge. The fire decides where it stops.

Once the form is complete, the verdigris patination is applied to the body. The green builds up across the curved surface — dense in some areas, breaking down into dark raw copper in others — while the torched rim below stays bright and raw, untouched by the patination chemistry. The contrast between the weathered green above and the raw copper-gold edge below is what makes the Flare read as something found rather than something made.

Hung alone in a narrow space or in a cluster of three over a long table, the Flare brings a kind of controlled wildness to a room — precise at the top, ragged at the bottom, and completely alive in between.